Many Baroque characteristics developed as propaganda for the:
—Counter-Reformation

All of the following artists epitomize the High Renaissance except:
—Donatello

In her painting, Judith and the Maidservant with the Head of Holofernes, Artemisia Gentileschi demonstrates the close influence of:
—Caravaggio

The influence of Neoplatonism would be most likely when, in a painting, a Renaissance artist highlights a:
—Nude classical goddess

In The Conversion of St. Paul, Caravaggio created drama through the high contrast of lights and darks, and the use of extreme:
—Symmetry

Masaccio’s The Holy Trinity fresco is considered to be the first painting based on the systematic use of:
—Linear perspective

Michelangelo’s David has a naturalistic pose, set in contrapposto, demonstrating the influence of:
—Greek sculpture

In the 17th century, in the Netherlands, the major patrons of paintings were:
—The wealthy merchant class

With its decorative and sensual qualities, the Rococo style was particularly suited to the extravagant and often frivolous life of:
—the French court and aristocracy

In Jan van Eyck’s The Arnolfini Portrait, the woman is wearing a green dress to symbolize:
—Fertility